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{{Collection
{{Collection  
|author='jam dbyangs mkhyen brtse'i dbang po
|author='jam dbyangs mkhyen brtse'i dbang po
|title=mkhyen brtse'i bka' babs
|title=mkhyen brtse'i bka' babs
|citation=''Rdzong sar 'jam dbyangs mkhyen brtse'i dbang po'i bka' babs''. Dkar mdzes bod rigs rang skyong khul sde dge rdzong: Rdzong sar khams bye'i slob gling, 2013.
|header=རྫོང་སར་འཇམ་དབྱངས་མཁྱེན་བརྩེའི་དབང་པོའི་བཀའ་བབས།
|header=རྫོང་སར་འཇམ་དབྱངས་མཁྱེན་བརྩེའི་དབང་པོའི་བཀའ་བབས།
|subheader=mkhyen brtse'i bka' babs
|subheader=mkhyen brtse'i bka' babs
     |description=The ''Khyentse Kabab'' collection, in twenty-two volumes, is structured around the notion of the seven types of authoritative transmission (''bka' babs bdun'') that were considered an essential aspect of Khyentse Wangpo's unique endowment as a highly influential promulgator of the Buddhist teachings. It is essentially a thematic collection. One that was created in recent times as a repository for the works related to this unique facet of Khyentse Wangpo's revelatory career and his fulfillment of the prophecies connected to his status as the "Possessor of the Seven Authoritative Transmissions" (''bka' babs bdun ldan''). Drawn mostly from earlier editions of the ''Rinchen Terdzö'', the original vehicle developed to house Khyentse Wangpo's revelations alongside those of his predecessors and contemporaries, this collection also includes the works of those who upheld Khyentse Wangpo's tradition of these seven transmissions. Prominent authors featured in these volumes include his direct disciples, such as [['jam mgon kong sprul|Jamgön Kongtrul]], [[mchog gyur gling pa|Chogyur Lingpa]], [[A 'dzoms 'brug pa 'gro 'dul dpa' bo rdo rje|Adzom Drukpa]], the [[Dodrupchen, 3rd|Third Dodrupchen Jikme Tenpai Nyima]], and [[Mi pham rgya mtsho|Mipham Gyamtso]]. As well as the following generation of masters and scholars, including his illustrious incarnations [['jam dbyangs mkhyen brtse chos kyi blo gros|Jamyang Khyentse Chökyi Lodrö]] and [[Khyentse, Dilgo|Dilgo Khyentse Tashi Paljor]], and other Tibetan luminaries of the last century such as [[Dudjom Rinpoche]], Jikdral Yeshe Dorje. This edition was created at Khyentse Wangpo's seat at Dzongsar Monastery in eastern Tibet and has benefitted greatly from the expertise and contributions of its prominent scholars, such as the Dzongsar Khenpos [[Phun tshogs rnam rgyal|Phunstok Namgyal]] and [[Rdzong sar mkhan pad+ma dam chos|Pema Damchö]], and especially Dr. [[Rdzong sar blo gros phun tshogs|Lodrö Phuntsok]], whom has been an invaluable asset to the preservation of the literary works of Khyentse Wangpo in recent times and the driving force behind the publication of the collections included on this site.
     |description=The ''Khyentse Kabab'' collection, in twenty-two volumes, is structured around the notion of the seven types of authoritative transmission (''bka' babs bdun'') that were considered an essential aspect of Khyentse Wangpo's unique endowment as a highly influential promulgator of the Buddhist teachings. It is essentially a thematic collection. One that was created in recent times as a repository for the works related to this unique facet of Khyentse Wangpo's revelatory career and his fulfillment of the prophecies connected to his status as the "Possessor of the Seven Authoritative Transmissions" (''bka' babs bdun ldan''). Drawn mostly from earlier editions of the ''Rinchen Terdzö'', the original vehicle developed to house Khyentse Wangpo's revelations alongside those of his predecessors and contemporaries, this collection also includes the works of those who upheld Khyentse Wangpo's tradition of these seven transmissions. Prominent authors featured in these volumes include his direct disciples, such as [['jam mgon kong sprul|Jamgön Kongtrul]], [[mchog gyur gling pa|Chogyur Lingpa]], [[a 'dzoms 'brug pa 'gro 'dul dpa' bo rdo rje|Adzom Drukpa]], the [[Dodrupchen, 3rd|Third Dodrupchen Jigme Tenpai Nyima]], and [[Mi pham rgya mtsho|Mipham Gyamtso]]. As well as the following generation of masters and scholars, including his illustrious incarnations [['jam dbyangs mkhyen brtse chos kyi blo gros|Jamyang Khyentse Chökyi Lodrö]] and [[Khyentse, Dilgo|Dilgo Khyentse Tashi Paljor]], and other Tibetan luminaries of the last century such as [[Dudjom Rinpoche]], Jikdral Yeshe Dorje. This edition was created at Khyentse Wangpo's seat at Dzongsar Monastery in eastern Tibet and has benefitted greatly from the expertise and contributions of its prominent scholars, such as the Dzongsar Khenpos [[phun tshogs rnam rgyal|Phunstok Namgyal]] and [[Rdzong sar mkhan pad+ma dam chos|Pema Damchö]], and especially [[rdzong sar blo gros phun tshogs|Dr. Lodrö Phuntsok]], whom has been an invaluable asset to the preservation of the literary works of Khyentse Wangpo in recent times and the driving force behind the publication of the collections included on this site.
<div class="mw-collapsible mw-collapsed" data-expandtext="Read more..." data-collapsetext="less">


{{6nbsp}}In his biography of Khyentse Wangpo, Jamgön Kongtrul cites an early reference to this set of seven that he attributes to the "vajra speech" (''rdo rje'i lung'') of [[Thang stong rgyal po|Thangtong Gyalpo]] that prophesied the arrival of Khyentse Wangpo,<ref>This quote is actually from one of Khyentse Wangpo's revelations associated with Thangtong Gyalpo (see [[JKW-KABAB-15-BA-011|''grub thob chen po'i thugs thig las khrag 'thung bde gshegs 'dus pa'']], pp. 371-372), which is categorized in the ''Kabab'' as a mind treasure.</ref> which states:
{{6nbsp}}For more on the origins of the ''bka' babs bdun'', go to the [[Introduction to the Seven Authoritative Transmissions]].


{{{!}} class=" ml-5 my-5 thick-red-left-border offwhite-bg"
For an overview of the collection via semantic query, see the ''' ''[[mkhyen brtse'i bka' babs Query Page]].'' '''  
{{!}}-
{{!}} class="pl-5 p-4" {{!}} བདག་དང་གཉིས་མིན་རྣལ་འབྱོར་པ༔<br>མཚན་ཉིད་ལྔ་དང་ལྡན་པ་ཞིག༔<br>འདི་ནས་བདུན་བརྒྱའི་ལོ་ཁོངས་སུ༔<br>མདོ་ཁམས་བར་ན་འབྲུག་གི་ལོ༔<br>གཉོས་ཀྱི་རིགས་འཛིན་སྒ་ཡི་བུ༔<br>ལྕགས་ཁམས་དཔའ་བོའི་མཚན་རྟགས་ཅན༔<br>པདྨ་རྒྱལ་པོས་བྱིན་བརླབས་པས༔<br>བཀའ་བབས་བདུན་ལྡན་མདོ་སྔགས་གླིང༔<br>བི་མ་མི་ཏྲས་བྱིན་བརླབས་པས༔<br>འོད་གསལ་སྤྲུལ་པའི་རྡོ་རྗེ་སྟེ༔<br>འཇམ་དཔལ་སྤྲུལ་པ་མངའ་བདག་གིས༔<br>བྱིན་བརླབས་ཆོས་ཀྱི་བཤེས་གཉེན་ཞེས༔<br>སྒྱུ་མ་ལྟ་བུའི་སྐྱེས་བུ་འབྱུང༔
{{!}} class="p-4" {{!}} ''A yogi no different than myself,''<br>''Possessing five attributes,''<br>''Will be born seven hundred years from now,''<br>''In the midst of Eastern Tibet in a dragon year,''<br>''As the son of the Ga clan in the family line of Nyö,''<ref>Though this phrase often appears as ''gnyos kyi rig 'dzin'' and is therefore translated as "the vidyādhara of Nyö", here I have followed Dudjom Rinpoche's citation of this quote in the ''bdud 'joms chos 'byung'', in which it is written as ''gnyos kyi rigs 'dzin''.</ref><br>''With iron element and bearing the marks of a vīra.''<br>''Due to being blessed by Pema Gyalpo,''<br>''He is known as Dongak Lingpa, Possessor of the Seven Authoritative Transmissions,''<br>''Due to being blessed by Vimalamitra,''<br>''He is known as Ösel Trulpe Dorje,''<br>''Due to being blessed by the King who is an emanation of Mañjuśrī,''<ref>This refers to the Tibetan Dharma king [[Khri srong lde'u btsan|Trisong Deutsen]] (Chos rgyal khri srong lde'u btsan).</ref><br>''He is known as Chökyi Shenyen,''<br>''This great being will appear as if by magic.''<br>
{{!}}}


{{6nbsp}}However, one of the most commonly cited references to these seven comes from another prophecy (''lung bstan'') found in the treasure revelation of [[Mchog gyur gling pa|Chogyur Lingpa]], ''The Sacred Teachings of the Three Series of the Great Perfection'' (''Dam chos rdzogs pa chen po sde gsum''), which states:


{{{!}} class=" ml-5 my-5 thick-red-left-border offwhite-bg"
{{!}}-
{{!}} class="pl-5 p-4" {{!}} བཀའ་ནས་བཀར་བརྒྱུད་བར་མ་ཆད༔<br>ཟབ་མོ་དངོས་དང་དགོངས་པའི་གཏེར༔<br>ཡང་གཏེར་རྗེས་སུ་དྲན་པའི་གཏེར༔<br>དག་སྣང་སྙན་དུ་བརྒྱུད་པ་ཡི༔
{{!}} class="p-4" {{!}} ''The unbroken lineage passed down orally,''<br>''Profound treasures revealed physically and from the mind,''<br>''Treasures discovered again and recollected from the past,''<br>''Pure visions and aural lineages,''
{{!}}-
{{!}} class="pl-5 p-4" {{!}} བཀའ་བབས་བདུན་གྱི་ཆུ་བོ་ནི༔<br>མངའ་བདག་ཡབ་སྲས་སྐལ་བར་བབས༔<br>སྙིགས་དུས་བསྟན་པའི་བཙས་ཆེན་བྱེད༔<br>ཟབ་རྒྱས་ཉི་འོད་ལྷག་པར་བརྡལ༔
{{!}} class="p-4" {{!}} ''This great torrent of those seven authoritative transmissions,''<br>''Will flow down to the king and heir<ref>The "king and heir" (''mnga' bdag yab sras'') refers to the past life attributions of Khyentse Wangpo and Chogyur Lingpa, whom were believed to have been the Dharma King [[Khri srong lde'u btsan|Trisong Deutsen]] and his son [[Lha sras dam 'dzin mu rub btsan po|Lhase Damdzin Murub Tsenpo]], respectively.</ref> who shall have their share.''<br>''They will perform great deeds to protect the doctrine in dark times,''<br>''And the light of this profound and vast sun will shine spectacularly''.
{{!}}}
Here we get a sense of what is meant by the term ''bka' babs'', as well as a list of the seven types of transmission to which it refers. It should also be noted that this term can have different connotations depending on the context, and there are indeed other groups of seven.<ref>For instance, early Nyingma author's, possibly stemming from Rongzompa in the 11th century, used the term to delineate the transmission lineages of the major tantric teachings that flowed into Tibet from India. Also Tāranātha uses the term ''bka' babs bdun'' in the title of his collection of biographies of Indian masters, which is likewise organized around a set of seven tantric instructions.</ref> However this particular configuration of these seven appears to be uniquely applied to the activities of Khyentse Wangpo and Chogyur Lingpa. While the more classical usage of this term generally references the lineage of particular teaching, here the emphasis is more on the method by which the teachings were received. In other words, these categories are demonstrative of how Khyentse Wangpo came into possession of a certain set of teachings, which he later propagated to the descendants of his lineage.
{{6nbsp}}These seven, in the order that they are presented within this collection, are:
# the Oral Tradition ({{TibIL|བཀའ་མ་}} ''bka' ma'' or {{TibIL|བཀའ་ནས་བཀར་བརྒྱུད་}} ''bka' nas bkar brgyud'')
# Earth Treasures ({{TibIL|ས་གཏེར་}} ''sa gter'')
# Rediscovered Treasures ({{TibIL|ཡང་གཏེར་}} ''yang gter'')
# Mind Treasures ({{TibIL|དགོངས་གཏེར་}} ''dgongs gter'')
# Recollections ({{TibIL|རྗེས་དྲན་}} ''rjes dran'')
# Pure Visions ({{TibIL|དག་སྣང་}} ''dag snang'')
# Aural Lineages ({{TibIL|སྙན་བརྒྱུད་}} ''snyan brgyud'')
Of these seven only the first, the oral tradition consisting of the verbal explanations and initiations passed down in a succession of teachers and their students, applies to a somewhat commonplace type of transmission that would be accessible to ordinary individuals, though in Khyentse Wangpo's case even his capacity to receive and transmit these types of teaching has visionary origins. The remaining six are more explicitly rooted in the extraordinary aspects of visionary transmission that are the purview of only the most accomplished or karmically destined practitioners. In accordance with the above verse, the first four of these are related to the revelation of types of treasures (''gter ma''), including the fairly standard categories of those revealed from the earth and those revealed from the practitioner's mind. In addition to those there is the rediscovery of previously revealed treasures, which was a particular speciality of Khyentse Wangpo whom revived numerous treasure revelations whose lineages of transmission had faded away over the centuries, and recollections, which refers to the ability to access memories from previous lives. The final two categories involve new visionary encounters with enlightened beings and the accomplished masters of the past.
{{6nbsp}}Kongtrul describes these seven as subdivisions of the categories of oral, treasure, and pure visions, which is a traditional triumvirate of the Nyingma school used to delineate the origins of their teachings. In this context, the first of the seven corresponds to the oral teachings, while the next four correspond to the treasure teachings, and the final two correspond to the pure vision teachings. Furthermore, rediscovered treasures are considered a subset of earth treasures, recollections are considered a subset of mind treasures, and the aural lineages are considered a subset of pure visions. However, in terms of Khyentse Wangpo, these seven are detailed in the context of his secret biography, a genre which is typically concerned with visionary experiences and other miraculous events. This context is a crucial component of the ''Khyentse Kabab'', because at its core it is a thematic collection of Khyentse Wangpo's revelations and a celebration of his visionary prowess.
{{6nbsp}}To gain the full story of the seven transmissions one could attempt to piece together a grand narrative gleaned from accounts that appear sporadically among the histories and colophons of the texts contained in the ''Khyentse Kabab''. Though Khyentse Wangpo, himself, never attempted such a thorough treatment, we do get a concise account of these events in the autobiographical verses of his ''Essentialized Biography of Jamyang Khyentse Wangpo''.<ref>[[JKW-KABAB-01-KA-006|'''jam dbyangs mkhyen brtse'i dbang po'i rnam thar snying por dril ba'']].</ref> Composed at the behest of the Third Dodrupchen, this work would become the basis for the more expansive biography of the master written by Kongtrul,<ref>See [[JKW-KABUM-25-RA-001|''rje btsun bla ma thams cad mkhyen cing gzigs pa 'jam dbyangs mkhyen brtse'i dbang po kun dga' bstan pa'i rgyal mtshan dpal bzang po'i rnam thar mdor bsdus pa ngo mtshar u dum+ba ra'i dga' tshal'']].</ref> a development that Khyentse Wangpo seems to foretell in the later verses of the text, stating, ''"Although I am [presently] unable to go on at length, it may act as the impetus for further elaboration at some other time."''<ref>''rgyas par spro bar ma nus mod''/''slad nas spro ba'i rten 'brel 'tshal'' in [[JKW-KABAB-01-KA-006|'''jam dbyangs mkhyen brtse'i dbang po'i rnam thar snying por dril ba'']], p. 394.</ref> This rings true, especially in terms of the secret section of biography, in which the terse descriptions of Khyentse Wangpo's verses are fleshed out with further details in Kongtrul's recounting of these events in his version of the biography. In the ''Essentialized Biography''<ref>See [[JKW-KABAB-01-KA-006|'''jam dbyangs mkhyen brtse'i dbang po'i rnam thar snying por dril ba'']], pp. 391-394.</ref> Khyentse Wangpo's discussion of the seven transmissions begins with his accounts of a series of visions. The first of which occurred in his eighth year,<ref>Tibetans count the years of one's life in that same way that we count centuries, therefore Khyentse Wangpo would have been 7 years old in his eight year. The same applies for the other ages mentioned.</ref> in which he was initiated into the maṇḍala of the deity Vajrakīlaya by Pema Thötreng Tsal<ref>Pad+ma thod phreng rtsal, the saṃbhogakāya form of Guru Rinpoche.</ref> and his consort, and another in his fifteenth year, in which he travelled to the seat of the Buddha's enlightenment in Bodhgaya where he was blessed with volumes of books representing the Mahāyāna and the Vajrayāna, with a clear emphasis on the  Great Perfection, by Mañjuśrīmitra, as well other encounters that Khyentse Wangpo simply alludes to in passing. The final account is of a visionary experience that occurred in his sixteenth year, in which he travelled miraculously to the pure abode of Lotus Light (''pad+ma 'od'') and met Guru Rinpoche on the morning of the auspicious tenth day of the holy fourth month of Saga Dawa. During this encounter Guru Rinpoche blessed the young Khyentse Wangpo with his mind (''dgongs''), conferred upon him the empowerment of symbols (''brda''), and bestowed upon him the verbal authorization for the seven authoritative transmissions, a sequence which mirrors another classic Nyingma triumvirate delineating the three modes of transmission (''bka' brgyud gsum'').<ref>These three reference the different modes of transmission as the apply to different levels accomplishment. From the mind transmission of the victors, i.e. buddhas, (''rgyal ba dgongs brgyud''), in which realization is transferred by means of the intermingling of the minds of teacher and retinue, to the symbolic transmission of the vidyādharas (''rig 'dzin brda brgyud''), in which realization is transferred through the use of symbolic means such as hand-gestures or other esoteric indications, and finally the aural transmission of people (''gang zag snyan brgyud''), in which ones hears the teachings explained by a teacher.</ref> At the end of which, Guru Rinpoche stared at him with a fixed gaze and recited the following verse:
{{{!}} class=" ml-5 my-5 thick-red-left-border offwhite-bg"
{{!}}-
{{!}} class="pl-5 p-4" {{!}} གཟུང་བའི་ཡུལ་གྱིས་མ་གོས་ཤིང་།<br>།འཛིན་པའི་རྟོག་པས་མ་བསླད་པ།<br>།རིག་སྟོང་རྗེན་པར་བསྐྱང་བ་ནི།<br>།སངས་རྒྱས་ཀུན་གྱི་དགོངས་པའོ།
{{!}} class="p-4" {{!}} ''Untarnished by objects perceived externally,''<br>''And untainted by the thoughts that latch onto them,''<br>''To sustain, without embellishment, this awareness-emptiness,''<br>''Is the mindset of all the buddhas.''
{{!}}}
Having said that, the Guru and his retinue dissolved into Khyentse Wangpo, which gave rise to the experience of their minds mingling indivisibly. Thus, from then on, Khyentse Wangpo was able to naturally maintain stability in the primordially pure abiding state of reality (''ka dag gi gnas lugs''). This episode, therefore, marks a pivotal moment in the visionary life of Khyentse Wangpo- a veritable coronation that set the stage for the onset of his illustrious career with the establishment of the seven authoritative transmissions as his crowning achievement. Khyentse Wangpo presents the above encounter as the culmination of the prior visionary events, after which he was able to obtain the seven transmissions due to the potency of his single-pointed supplications. And it is specifically in relation to the exponential growth in his abilities acquired through this last vision that Kongtrul begins to explicate the seven transmissions.
</div>
|categories=mkhyen brtse'i dbang po's writings
|categories=mkhyen brtse'i dbang po's writings
|imageDivClasses=grayscale30
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|sectionTemplate=KababSections
}}
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Latest revision as of 08:54, 4 June 2024

Jamyang Khyentse Wangpo
རྫོང་སར་འཇམ་དབྱངས་མཁྱེན་བརྩེའི་དབང་པོའི་བཀའ་བབས།
mkhyen brtse'i bka' babs

The Khyentse Kabab collection, in twenty-two volumes, is structured around the notion of the seven types of authoritative transmission (bka' babs bdun) that were considered an essential aspect of Khyentse Wangpo's unique endowment as a highly influential promulgator of the Buddhist teachings. It is essentially a thematic collection. One that was created in recent times as a repository for the works related to this unique facet of Khyentse Wangpo's revelatory career and his fulfillment of the prophecies connected to his status as the "Possessor of the Seven Authoritative Transmissions" (bka' babs bdun ldan). Drawn mostly from earlier editions of the Rinchen Terdzö, the original vehicle developed to house Khyentse Wangpo's revelations alongside those of his predecessors and contemporaries, this collection also includes the works of those who upheld Khyentse Wangpo's tradition of these seven transmissions. Prominent authors featured in these volumes include his direct disciples, such as Jamgön Kongtrul, Chogyur Lingpa, Adzom Drukpa, the Third Dodrupchen Jigme Tenpai Nyima, and Mipham Gyamtso. As well as the following generation of masters and scholars, including his illustrious incarnations Jamyang Khyentse Chökyi Lodrö and Dilgo Khyentse Tashi Paljor, and other Tibetan luminaries of the last century such as Dudjom Rinpoche, Jikdral Yeshe Dorje. This edition was created at Khyentse Wangpo's seat at Dzongsar Monastery in eastern Tibet and has benefitted greatly from the expertise and contributions of its prominent scholars, such as the Dzongsar Khenpos Phunstok Namgyal and Pema Damchö, and especially Dr. Lodrö Phuntsok, whom has been an invaluable asset to the preservation of the literary works of Khyentse Wangpo in recent times and the driving force behind the publication of the collections included on this site.

      For more on the origins of the bka' babs bdun, go to the Introduction to the Seven Authoritative Transmissions.

For an overview of the collection via semantic query, see the mkhyen brtse'i bka' babs Query Page.

Browse by sa bcad section

Browse by volume · 22 volumes, 670 texts in this collection

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་དང་པོ་ཀ༽

Volume 1 of the mkhyen brtse'i bka' babs collection.
19 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་གཉིས་པ་ཁ༽

Volume 2 of the mkhyen brtse'i bka' babs collection.
67 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་གསུམ་པ་ག༽

Volume 3 of the mkhyen brtse'i bka' babs collection.
37 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཞི་པ་ང༽

Volume 4 of the mkhyen brtse'i bka' babs collection.
33 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་ལྔ་པ་ཅ༽

Volume 5 of the mkhyen brtse'i bka' babs collection.
38 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་དྲུག་པ་ཆ༽

Volume 6 of the mkhyen brtse'i bka' babs collection.
42 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བདུན་པ་ཇ༽

Volume 7 of the mkhyen brtse'i bka' babs collection.
27 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བརྒྱད་པ་ཉ༽

Volume 8 of the mkhyen brtse'i bka' babs collection.
34 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་དགུ་པ་ཏ༽

Volume 9 of the mkhyen brtse'i bka' babs collection.
30 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་པ་ཐ༽

Volume 10 of the mkhyen brtse'i bka' babs collection.
21 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་གཅིག་པ་ད༽

Volume 11 of the mkhyen brtse'i bka' babs collection.
27 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་གཉིས་པ་ན༽

Volume 12 of the mkhyen brtse'i bka' babs collection.
25 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་གསུམ་པ་པ༽

Volume 13 of the mkhyen brtse'i bka' babs collection.
46 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་བཞི་པ་ཕ༽

Volume 14 of the mkhyen brtse'i bka' babs collection.
22 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་ལྔ་པ་བ༽

Volume 15 of the mkhyen brtse'i bka' babs collection.
24 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་དྲུག་པ་མ༽

Volume 16 of the mkhyen brtse'i bka' babs collection.
23 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེབས་བམ་བཅུ་བདུན་པ་ཙ༽

Volume 17 of the mkhyen brtse'i bka' babs collection.
25 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅོ་བརྒྱད་པ་ཚ༽

Volume 18 of the mkhyen brtse'i bka' babs collection.
56 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་བཅུ་དགུ་པ་ཛ༽

Volume 19 of the mkhyen brtse'i bka' babs collection.
28 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་ཉི་ཤུ་པ་ཝ༽

Volume 20 of the mkhyen brtse'i bka' babs collection.
33 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་ཉེར་གཅིག་པ་ཞ༽

Volume 21 of the mkhyen brtse'i bka' babs collection.
4 Texts

མཁྱེན་བརྩེའི་བཀའ་བབས། གླེགས་བམ་ཉེར་གཉིས་པ་ཟ༽

Volume 22 of the mkhyen brtse'i bka' babs collection.
9 Texts